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KEXP

From a 10-Watt Dorm Roof Signal to a Glass-Walled Home at Seattle Center

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3 Goubik 35s

KEXP began in 1972 as a 10-watt signal broadcast from the roof of McMahon Hall, a University of Washington dormitory, run by students John Kean, Cliff Noonan, Victoria Fiedler and Brent Wilcox under the call letters KCMU. More than fifty years later, that student project has grown into one of the most recognized independent music stations in the world, broadcasting from a public, glass-walled studio at the base of the Space Needle.

From University Budget Cuts to Community Radio

KCMU nearly disappeared before it became anything else. University budget cuts in 1981 forced the station to seek listener support directly rather than rely on UW funding, a shift that pushed its format toward the community-driven modern-rock identity that would eventually define it. Through the 1980s the station kept broadening its range, adding hip-hop, roots, blues, world music, reggae and jazz to its rock foundation and moving to 90.3 FM with a power upgrade in 1986.

Glass-walled KEXP studio at Seattle Center with the Space Needle at dusk

A New Name and an Early Bet on Streaming

The station rebranded from KCMU to KEXP in 2001, moving into a new downtown Seattle studio under the newly formed nonprofit Friends of KEXP, with Iggy Pop's "Lust for Life" as the first song played on air under the new name. That same period saw KEXP push into online audio well ahead of most terrestrial stations, staking an early claim as one of the first stations anywhere offering real-time streaming to a global audience rather than just a local FM footprint.

Building a Studio the Public Could Walk Into

KEXP's biggest transformation came in 2015, when the station left its 6,500-square-foot home on Dexter Avenue for a 28,000-square-foot space at Seattle Center, just north of the city's old Key Arena. The new facility was built around a deliberately public idea: a Gathering Space combining a record store and cafe, a live performance room seating 75 spectators, and glass-walled studios that let passersby watch broadcasts happen in real time. The public grand opening landed on Record Store Day, April 16, 2016, timed specifically to the holiday most record collectors already circle on their calendars.

A Studio Built for a Global Audience

That new performance space fed directly into what KEXP is now arguably best known for outside Seattle: in-studio live session videos, filmed with the same production gear built into the Seattle Center studios and shared with an international audience that has never set foot in the Pacific Northwest. A station that started as a dorm-roof signal reaching a few blocks of the UW campus now routinely introduces touring bands to listeners on the other side of the planet.

Still Volunteer-Powered, Five Decades Later

KEXP today runs on roughly 600 active volunteers working alongside its paid staff, a direct continuation of the community-support model the station adopted out of necessity back in 1981. What started as a fallback plan for a struggling college station turned into the operating philosophy that has carried KEXP from a rooftop antenna to a public listening room built for the whole city to walk into.

KEXP

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